GEMINI AWARD Best Editing in a Dramatic Program
for GUNS
Academy of Canadian Cinema and Television

DGC AWARD Achievement in Picture Editing-TV Series
for THE BRIDGE
Directors Guild of Canada

DGC AWARD Achievement in Picture Editing-Feature
for HIGH LIFE
Directors Guild of Canada

DGC AWARD Achievement in Picture Editing-Mini Series
for ABOVE AND BEYOND
Directors Guild of Canada

DGC AWARD Achievement in Picture Editing – Feature
for RARE BIRDS
Directors Guild of Canada

GENIE AWARD Best Editing in a Feature Film
for SUCH A LONG JOURNEY
Academy of Canadian Cinema and Television

GEMINI AWARD Best Editing in a Dramatic Program
for DIARY OF EVELYN LAU
Academy of Canadian Cinema and Television

GEMINI AWARD Best Editing in a Dramatic Program
for 9B Premiere Episode
Academy of Canadian Cinema and Television

GEMINI Nomination Best Editing in a Dramatic Program
for SHELDON KENNEDY STORY
Academy of Canadian Cinema and Television

GEMINI Nomination Best Editing in a Dramatic Program
for DIANA KILMURY-TEAMSTER
Academy of Canadian Cinema and Television

GEMINI Nomination Best Editing in a Dramatic Program
for ROOKIES
Academy of Canadian Cinema and Television

EMMY Nomination Outstanding Achievement in Single Camera Editing
for THE INVENTORS SPECIALS: EDISON-WIZARD OF LIGHT
The Academy of Television Arts and Sciences

HOT DOCS AWARD Best Editing in a Feature Documentary
for TOUGH ASSIGNMENT
Canadian International Documentary Film Festival

HOT DOCS AWARD Best Editing in a Feature Documentary
for BLOCKADE
Canadian International Documentary Film Festival

BEST FIRST FEATURE FILM
for LOVE, SEX & EATING THE BONES
Toronto International Film Festival

GENIE AWARD Best Feature Documentary
for FINAL OFFER

GRAND PRIZE Banff Film and Television Festival
for FINAL OFFER

PRIX ITALIA Best Documentary, International Television Awards
for FINAL OFFER

GENIE AWARD Best Film by First Time Director to Peter Wellington
for JOE’S SO MEAN TO JOSEPHINE

JOE’S SO MEAN TO JOSEPHINE invited to SUNDANCE FILM FESTIVAL

SOUL SURVIVOR selected to open Critics Week CANNES INTERNATIONAL FILM FESTIVAL